12 reasons why this was one of the best eps of Chuck yet.
1. Some critics of the show complain that Chuck’s spy world and his home life are like two separate shows sometimes but this episode did a great job of making those two worlds collide in a major way. Awesome was directly affected by this when Alex shot him with the tranq gun in order to steal the key card from around his neck. (Side note, but since when does the oft shirtless Awesome wear anything around his neck? Turning a blind eye to that one.) He played such a big role in this episode and if what we saw was any indication he’s going to be playing a huge role in the episodes to come. I think it’s pretty safe to assume that he’s going to be the person in Chuck’s life that finds out his secret-spy-life secret. Like Jack on Lost, Awesome is so awesome that he can apparently fight off the effects of tranquilizer darts for a couple of seconds. It’s only a matter of time before Devon remembers those few key things he saw (Chuck) and heard (“CIA”) before he got knocked out. And to top it all off he was this close to bumping into Beckman when she popped up on Chuck’s TV! Great, tense moments.
2. Another tense scene was when Beckman told Sarah she was fired. I love it when shows take the risky route and go places where you don’t think they’d ever go. And I certainly didn’t think Sarah was going to get fired. She got rehired quick enough but the time that lapsed between Sarah being off the mission and her being back on it again were filled with some great moments for her character. One of which was the almost-fight she had with Alex (I would’ve liked to see a full-fledged agent-on-agent fight but beggars can’t be choosers.) The other was her risking her entire career by using her resources to search for Chuck’s dad. I don’t know whether or not to hope to see the consequences of that particular action but it was a testament to how much she cares about Chuck that she actually went through with it.
3. 49B, otherwise known as Agent Alex Forest. Named after Glenn Close’s character in Fatal Attraction I half expected her to boil a bunny, but we got a striptease instead, which was just as entertaining and much less disgusting! Tricia Helfer, who is so good at playing so many different versions of cylon Six on Battlestar Galactica, was perfect as the tough-as-nails secret agent, affecting a cold stare and a clenched jaw, which worked to her advantage at Awesome’s bachelor party. Though she was very by-the-books, the writers did a convincing job of showing us just how that could backfire in terms of protecting Chuck. Alas, Alex was incompetent, but I still hope she comes back as a recurring character (if there’s a season 3), if only so that she can sex up Casey.
4. Gun!sex! I imagine the only reason they didn’t have Casey and Alex hook up in this episode was because they didn’t have enough time to fit it in (and Casey would never break protocol like that.) But can we talk about that gun-cleaning montage? Because those guns may have been getting clean but that scene was so damn dirty. I vote Casey+Alex+Guns= OT3. As Chuck said, Casey and Alex were a match made in a very scary heaven, and I think they’d be great together. Even if Alex is just pretty much a female version of Casey.
5. Speaking of Casey, he may have met his match in the heartless Agent Forest but I don’t think we’ve ever seen a more heartfelt Casey than we did in this episode. He got behind Chuck when the guy was making his case for Beckman, and he stuck up for Sarah, calling her a damn good agent and the best partner he’s ever had. Can we get an aww? Casey’s got a fully-formed heart after all.
6. Beckman’s infiltration of the Chuck/Sarah situation. Firstly: showing Chuck all the footage Casey had given her of them having their heart-to-hearts by the courtyard fountain (and the impossibly gotten footage of Chuck giving Sarah his mom’s bracelet, but we’ll turn a blind eye to that one.) I was shocked to see that she knew about them. And then I was shocked again when it all came out in the open and she bagged Sarah for it. (Can the NSA fire CIA agents? Blind eye!) And then I was shocked when Chuck effectively admitted his feelings for Sarah– with Sarah standing right there!– and Beckman was totally cool with it! Which brings me too...
7. The government is cool with Chuck and Sarah’s relationship! Well, maybe Beckman isn’t officially cool with the idea of Chuck and Sarah getting it on but there’s a pretty damn good chance that she’d (also) turn a blind eye to that particular situation! Whatever the case may be, Chuck and Sarah are finally in the clear and their relationship doesn’t have to be as secret any more. Which means they can almost kiss if they want to.
8. And they totally almost kissed! The moment Sarah touched Chuck’s neck I just about keeled over from the squeeness of it all. Like Ricky Gervais once said about the couple in The Office, since they had to hide their feelings because there were cameras around, a touch between them was like a kiss, and a kiss was like a shag. Replace “cameras” with “government” and the same logic applies to Chuck and Sarah. Now we just have to wait for an actual shagging to occur. :)
9. Devon’s got some compromising pictures with a very hot stripper. And Ellie saw them! I was just about as shocked and saddened and she was!
10. Another Bon Iver song to end the episode! I would just like to thank Chuck’s music producer for picking the perfect music to set the perfect tone for the show. Awesome choice.
11. The exotic female entertainment! Seeing those girls walk in was funny enough but then seeing the men’s faces fall was just the icing on the cake. Even better? Jeff’s sister gave him the discount.
12. And finally, we come to Jeff and Lester. I really don’t think Scott Krinsky and Vik Sahay get enough credit for the work they do here. Would Chuck be the same without the genius of their combined comedic talents? I think not! The lines speak for themselves: “Astronomy snap!” “I’ve been bad, I’m a bad person, I’m a terrible person!” “I broke 8 ½ commandants on the way to work.” And lastly, my absolute favorite: “Ellie! Elizabeth! Eleanor Elton!”
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Tuesday, March 31, 2009
Sunday, March 29, 2009
Chuck vs. The Predator. A review
This week Chuck delved a little deeper into its mythology and we got some pretty big reveals. Firstly: Orion. The nebulous figure that we heard about a few episodes ago finally made himself visible in the Chuck world. Kinda. When he wasn’t dressed as a much-less-creepy Rorschach (minus the headsock), he appeared on Chuck’s computer, binary-style!
Here’s what we know about Orion: he created the intersect, and until he got himself all blown up, he was very much willing to get the intersect out of Chuck’s head. I was surprised they’d bring out Orion this early in the game but it was nice to know, once and for all, that he was on the right side of the battle between the good guys and the bad guys. But I was also pretty surprised that they’d go and kill him in the same episode we met him. We hardly knew ya, Orion.
My theory on the identity of Orion is that we’ve already met him. Now, I don’t have much to go on with this, but why keep his identity a secret if he was just going to get killed anyway? The fact of the matter is that Orion isn’t going to be rising from the dead any time soon, but he’s still a mystery which means he still has to be “solved.” And wouldn’t it be more exciting if when we do see him again it’s with a face we’re already familiar with?
If we have seen Orion before then the real question is, who is he? I won’t even go out on a limb and say Bryce, cuz that would just be too crazy a twist that doesn’t make much sense. But then that leaves me with nary a candidate so I may just be wrong on this theory. We’ll have to wait and see, I guess.
The other big reveal of the night was a flesh-and-blood General Beckman! She finally stepped out from behind her desk and made an appearance in Chuck’s world, and as he noticed, General Beckman is a tiny, tiny person. Props to Bonita Friedericy for looking so fierce (sleek coat, ma’am!) even when being the diminutive one beside giants Yvonne Strahovski and Adam Baldwin. But even in person the General is still her old, frigid self. She doesn’t want the intersect to ever come out of Chuck’s head and she wants him to be a full-fledged spy in the war between the CIA and Fulcrum. I say it’s a bit harsh to make Chuck a spy without giving him any proper training, but I suppose that adds to the drama.
And finally we (kinda) got to see the Fulcrum bigwigs. They were lined up at a table like the Final Five cylons, only instead of glowing white they were left in the shadows. This was our first glimpse at the heads of Fulcrum but we didn’t get much substantial stuff to really figure them out yet. The only verdict I’ve got is: they’re spooky.
Aside from those new aspects, the episode was just ok. Not terrible, but not terribly fantastic either. One of the things that continues to annoy me is Chuck’s lack of trust in Sarah. We’ve seen it time and again in previous episodes and I guess that says something for continuity, but it’s becoming a problem for me if only because of Sarah’s unconditional trust in Chuck. When Chuck saw Sarah-- through the peep cam into Casey’s place-- he was only coming in at the middle of a conversation when he decided that she was so easily willing to betray him. Tut tut, Chuck. Tut tut.
Other notables from the ep:
- Love that they continued with Lester’s kiss-assness by making him an admirer of the Beverly Hills BuyMore crew.
- Jeff’s office. Awesome.
- The mix-up at the BuyMore with the two teams trying to steal the computer wasn’t just hilarious (Sarah’s reaction to Jeff’s revelation about wetting himself? Come on!) but it was a great way of making Chuck’s two worlds collide. And when his normal life comes into contact with his spy life is when the show works best.
- We really didn’t need to see/hear Big Mike and Bologna getting it on. But it was worth it to see the perfectly apt photo of Morgan next to the bed. Niiice.
- Chuck reads “Ex Machina”! They’re packing in the Brian K. Vaughan references, which is always nice.
- And finally, we got a tease of something that’s coming to a head, which is Chuck and Sarah’s connection, and Beckman finally noticing it. By the next episode we’re going to see the consequences of those actions and I can’t wait!
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Here’s what we know about Orion: he created the intersect, and until he got himself all blown up, he was very much willing to get the intersect out of Chuck’s head. I was surprised they’d bring out Orion this early in the game but it was nice to know, once and for all, that he was on the right side of the battle between the good guys and the bad guys. But I was also pretty surprised that they’d go and kill him in the same episode we met him. We hardly knew ya, Orion.
My theory on the identity of Orion is that we’ve already met him. Now, I don’t have much to go on with this, but why keep his identity a secret if he was just going to get killed anyway? The fact of the matter is that Orion isn’t going to be rising from the dead any time soon, but he’s still a mystery which means he still has to be “solved.” And wouldn’t it be more exciting if when we do see him again it’s with a face we’re already familiar with?
If we have seen Orion before then the real question is, who is he? I won’t even go out on a limb and say Bryce, cuz that would just be too crazy a twist that doesn’t make much sense. But then that leaves me with nary a candidate so I may just be wrong on this theory. We’ll have to wait and see, I guess.
The other big reveal of the night was a flesh-and-blood General Beckman! She finally stepped out from behind her desk and made an appearance in Chuck’s world, and as he noticed, General Beckman is a tiny, tiny person. Props to Bonita Friedericy for looking so fierce (sleek coat, ma’am!) even when being the diminutive one beside giants Yvonne Strahovski and Adam Baldwin. But even in person the General is still her old, frigid self. She doesn’t want the intersect to ever come out of Chuck’s head and she wants him to be a full-fledged spy in the war between the CIA and Fulcrum. I say it’s a bit harsh to make Chuck a spy without giving him any proper training, but I suppose that adds to the drama.
And finally we (kinda) got to see the Fulcrum bigwigs. They were lined up at a table like the Final Five cylons, only instead of glowing white they were left in the shadows. This was our first glimpse at the heads of Fulcrum but we didn’t get much substantial stuff to really figure them out yet. The only verdict I’ve got is: they’re spooky.
Aside from those new aspects, the episode was just ok. Not terrible, but not terribly fantastic either. One of the things that continues to annoy me is Chuck’s lack of trust in Sarah. We’ve seen it time and again in previous episodes and I guess that says something for continuity, but it’s becoming a problem for me if only because of Sarah’s unconditional trust in Chuck. When Chuck saw Sarah-- through the peep cam into Casey’s place-- he was only coming in at the middle of a conversation when he decided that she was so easily willing to betray him. Tut tut, Chuck. Tut tut.
Other notables from the ep:
- Love that they continued with Lester’s kiss-assness by making him an admirer of the Beverly Hills BuyMore crew.
- Jeff’s office. Awesome.
- The mix-up at the BuyMore with the two teams trying to steal the computer wasn’t just hilarious (Sarah’s reaction to Jeff’s revelation about wetting himself? Come on!) but it was a great way of making Chuck’s two worlds collide. And when his normal life comes into contact with his spy life is when the show works best.
- We really didn’t need to see/hear Big Mike and Bologna getting it on. But it was worth it to see the perfectly apt photo of Morgan next to the bed. Niiice.
- Chuck reads “Ex Machina”! They’re packing in the Brian K. Vaughan references, which is always nice.
- And finally, we got a tease of something that’s coming to a head, which is Chuck and Sarah’s connection, and Beckman finally noticing it. By the next episode we’re going to see the consequences of those actions and I can’t wait!
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Friday, March 27, 2009
Skins Finale: All ships have sailed.
A Skins review.
Sadly, series 3 of Skins is over. And while it had a pretty good run (with a few inconsistencies and pacing problems not withstanding) the finale was pretty uneventful when compared to the finales of seasons past. Nobody got hit by a bus, there weren’t any funerals to attend, and there wasn’t even a big cast musical number to sing along too. Ironically enough, series 1 and 2 dealt with death, suicide attempts, debilitating accidents, eating disorders, and crazy stalkers, and yet this series was missing some of the light-hearted fun we got from the first two. But alas, let’s get to what this finale episode was really about: the ships.
Effy and Cook
The last time we saw Cook and Effy things weren’t looking too bright: they were on the run, excommunicated from their group of wizzar chums, and Effy seemed pretty bummed. Cut to episode 10 and Effy and Cook are living the blissfully unshowered party life. Cook/Effy shippers should have been thrilled to see the mini montage that followed their rave scene, replete with bloody kissing, gallant carrying, and walking off into the sunset together.
If you’ll notice, Effy says nary a word in this group of clips– just laughs, kisses, and parties. And it reminded me a lot of the Effy that was introduced to us in episode 1x08. Even her teasing of Cook Senior at the sidelines of the race was reminiscent of the scene where she sat on a bus next to (the very much missed) chatterbox Julie and teased the old man across the aisle.
I know that a lot of die-hard Effy lovers, who have adored her character from the beginning, think that her involvement in the Love Triangle of Doom has diminished her character somewhat, and their argument holds some merit, but alongside Cook, Effy comes closest to the original version we know. She can stay her mysterious, badass self because she’s found her badass partner-in-crime. If you had to imagine Effy with any partner Cook’s a pretty good candidate. (Personally? I always imagined Effy bringing a good old fashion Cowboy home for dinner, but that’s just me.) The type of guy she can throw her arm around, walk through a town with, kick ass and take names. Sid and Nancy with much less destructive violence.
I wonder if there are fans of Effy’s, all the way from circa series 1, that don’t ship Cook/Effy (if they ship her with anyone at all.)
In a recent post I mentioned that Cook and Effy are right for each other right now, but maybe they aren’t. If the clubbing-with-dad scene showed us anything it’s that Cook’s a tad possessive, and Effy, going out to talk to the Straight Edge dude, is still curious about what’s out there, always looking for the next thrill. When Cook finds her outside and tells her there’s nowhere else to go that’s not what she wants to hear. And her kiss with him is more of a sigh of defeat: that she’s settling– for him, for this town, for this life. So no, they’re not right for each other right now. Cook still has work some stuff out, and Effy is in love with someone else. But this episode showed that Cook and Effy can make for a very dynamic couple. Not right now, obviously, thanks to Fun Sponge, but maybe in the future.
It’s too bad because Cook was determined to keep Effy, even assuring his dad that, “No cunt’s taking her from me.”
Unless, of course, that cunt’s got a penchant for skateboarding and furtive masturbation. Which brings us to....
Effy and Freddie
In the only exposition we’re likely to ever get into Effy’s psyche, Anthea reveals that her daughter is scared to death of all the love that’s in her heart. Which is, we know, the reason Effy has run away from Freddie since the beginning. But do I believe that Freddie and Effy love each other? Um, not really. Mostly because they’ve only had a handful of scenes together and 70 percent of those scenes were taken up by lovelorn glances.
Effy finally declared her love for Freddie in a call for help, and when Freddie arrived in the Small Shit Town he was determined to win her heart, literally, by winning a granny race.
But their big scene came after Effy made her choice, once and for all. The staging of the scene perfectly captured what we’ve come to know as the Freddie and Effy dynamic. She, sitting guiltily, and he, standing, effectively looking down at her, and blaming her for making this into a game. And maybe she did screw up the trio but am I really supposed to root for a couple when, out of the handful of scenes they’ve had together, three of them involved Freddie telling Effy that something was her fault?
But no matter! They soon forgot their one-way argument and resigned to having sex. (I think the sex scene, with Effy finally admitting her feelings and Freddie finally getting his girl, would’ve meant more if they hadn’t have already had sex in the woods.)
My question is, are the Effy/Freddie shippers Freddie fans first, who want to see him with the beautiful girl? Or are they Effy fans who want to see her change, and evolve, and drop the “mysterious and fit” persona that JJ’s sick of too. Because if Effy’s expected to be in a relationship with Freddie than she can’t remain the Effy that we’ve known for years (and the kind of Effy that fits so well with Cook.)
Freddie and Cook
Not technically a ship (unless you swing that way), but Freddie and Cook finally sat down, had a heart-to-heart, and sorted out their problems. It went a little something like this:
Cook: I fucking love her.
Freddie: Right, akay mate, but we’ve got these looks that we give each other, see. So.... yeah. True love and all that.
So by the end of the episode the loose ends of the season got tied up, if a little too neatly. The three musketeers were back together again and Effy finally made her choice. It all ended with Freddie’s, “What happens now?”
That’s what I wanna know. If Freddie and Effy have any connection at all it happens when they’re pining for each other. Now that they’re together, what happens next? Does the future look bright for them? Hooking up this early in the game usually doesn’t bode well for most TV couples. But you never know. As Cook says, it’s about the journey.
Either way, it’s funny how both Cook/Effy shippers and Freddie/Effy shippers think series 4 is going to be their year. Can’t wait to see what happens.
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Sadly, series 3 of Skins is over. And while it had a pretty good run (with a few inconsistencies and pacing problems not withstanding) the finale was pretty uneventful when compared to the finales of seasons past. Nobody got hit by a bus, there weren’t any funerals to attend, and there wasn’t even a big cast musical number to sing along too. Ironically enough, series 1 and 2 dealt with death, suicide attempts, debilitating accidents, eating disorders, and crazy stalkers, and yet this series was missing some of the light-hearted fun we got from the first two. But alas, let’s get to what this finale episode was really about: the ships.
Effy and Cook
The last time we saw Cook and Effy things weren’t looking too bright: they were on the run, excommunicated from their group of wizzar chums, and Effy seemed pretty bummed. Cut to episode 10 and Effy and Cook are living the blissfully unshowered party life. Cook/Effy shippers should have been thrilled to see the mini montage that followed their rave scene, replete with bloody kissing, gallant carrying, and walking off into the sunset together.
If you’ll notice, Effy says nary a word in this group of clips– just laughs, kisses, and parties. And it reminded me a lot of the Effy that was introduced to us in episode 1x08. Even her teasing of Cook Senior at the sidelines of the race was reminiscent of the scene where she sat on a bus next to (the very much missed) chatterbox Julie and teased the old man across the aisle.
I know that a lot of die-hard Effy lovers, who have adored her character from the beginning, think that her involvement in the Love Triangle of Doom has diminished her character somewhat, and their argument holds some merit, but alongside Cook, Effy comes closest to the original version we know. She can stay her mysterious, badass self because she’s found her badass partner-in-crime. If you had to imagine Effy with any partner Cook’s a pretty good candidate. (Personally? I always imagined Effy bringing a good old fashion Cowboy home for dinner, but that’s just me.) The type of guy she can throw her arm around, walk through a town with, kick ass and take names. Sid and Nancy with much less destructive violence.
I wonder if there are fans of Effy’s, all the way from circa series 1, that don’t ship Cook/Effy (if they ship her with anyone at all.)
In a recent post I mentioned that Cook and Effy are right for each other right now, but maybe they aren’t. If the clubbing-with-dad scene showed us anything it’s that Cook’s a tad possessive, and Effy, going out to talk to the Straight Edge dude, is still curious about what’s out there, always looking for the next thrill. When Cook finds her outside and tells her there’s nowhere else to go that’s not what she wants to hear. And her kiss with him is more of a sigh of defeat: that she’s settling– for him, for this town, for this life. So no, they’re not right for each other right now. Cook still has work some stuff out, and Effy is in love with someone else. But this episode showed that Cook and Effy can make for a very dynamic couple. Not right now, obviously, thanks to Fun Sponge, but maybe in the future.
It’s too bad because Cook was determined to keep Effy, even assuring his dad that, “No cunt’s taking her from me.”
Unless, of course, that cunt’s got a penchant for skateboarding and furtive masturbation. Which brings us to....
Effy and Freddie
In the only exposition we’re likely to ever get into Effy’s psyche, Anthea reveals that her daughter is scared to death of all the love that’s in her heart. Which is, we know, the reason Effy has run away from Freddie since the beginning. But do I believe that Freddie and Effy love each other? Um, not really. Mostly because they’ve only had a handful of scenes together and 70 percent of those scenes were taken up by lovelorn glances.
Effy finally declared her love for Freddie in a call for help, and when Freddie arrived in the Small Shit Town he was determined to win her heart, literally, by winning a granny race.
But their big scene came after Effy made her choice, once and for all. The staging of the scene perfectly captured what we’ve come to know as the Freddie and Effy dynamic. She, sitting guiltily, and he, standing, effectively looking down at her, and blaming her for making this into a game. And maybe she did screw up the trio but am I really supposed to root for a couple when, out of the handful of scenes they’ve had together, three of them involved Freddie telling Effy that something was her fault?
But no matter! They soon forgot their one-way argument and resigned to having sex. (I think the sex scene, with Effy finally admitting her feelings and Freddie finally getting his girl, would’ve meant more if they hadn’t have already had sex in the woods.)
My question is, are the Effy/Freddie shippers Freddie fans first, who want to see him with the beautiful girl? Or are they Effy fans who want to see her change, and evolve, and drop the “mysterious and fit” persona that JJ’s sick of too. Because if Effy’s expected to be in a relationship with Freddie than she can’t remain the Effy that we’ve known for years (and the kind of Effy that fits so well with Cook.)
Freddie and Cook
Not technically a ship (unless you swing that way), but Freddie and Cook finally sat down, had a heart-to-heart, and sorted out their problems. It went a little something like this:
Cook: I fucking love her.
Freddie: Right, akay mate, but we’ve got these looks that we give each other, see. So.... yeah. True love and all that.
So by the end of the episode the loose ends of the season got tied up, if a little too neatly. The three musketeers were back together again and Effy finally made her choice. It all ended with Freddie’s, “What happens now?”
That’s what I wanna know. If Freddie and Effy have any connection at all it happens when they’re pining for each other. Now that they’re together, what happens next? Does the future look bright for them? Hooking up this early in the game usually doesn’t bode well for most TV couples. But you never know. As Cook says, it’s about the journey.
Either way, it’s funny how both Cook/Effy shippers and Freddie/Effy shippers think series 4 is going to be their year. Can’t wait to see what happens.
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Tuesday, March 24, 2009
Skins: "Katie and Emily:" A Box of Fannies!
This week’s episode of Skins made me realize some things about Katie and Emily that I didn’t realize before. Emily stood out as one of the most promising characters in the introductory episode where it was pretty hard to stand out amongst a new group of new and appealing characters. She seemed to have a good head on her shoulders and we felt for her for being saddled with an annoying whore of a sister who was far more popular and straight than she could ever be. That being said, Katie stood out as being one of the least interesting and one-dimensional characters in 3x01.
It took nine episodes but I’ve finally come around to liking Katie. Stripped of her garish makeup and leopard print getups, her face spoke volumes about what she was going through. And finally she had something to go through. No more being the better half of a colossal douche, be it a football player or a Fun Sponge. For the first time since she was seven Katie was without a boyfriend. And that might seem like a really vain issue to be so damn sad about, but it’s part of a bigger issue that’s coming to a head with her. Katie’s big issue is a loss of control.
She’s at a total loss without her armor of vanity, holed up in her house, afraid to face the world. Not only did she lose Fun Sponge to Effy, with whom he cheated while Katie was rotting away in the woods somewhere, but she also lost her upper hand in relationships, no longer the one that The Guy wants to get with. And to top it off she’s lost her sister, whom she was apparently very possessive of, to Naomi.
The portrayal of the sisterly relationship was very true-to-life in this episode. Most sisters on TV are absolute BFFs who braid each other’s hair and tell each other everything (I’m looking at you, BSG finale.) But Katie and Emily are certainly not BFFs. They fight, verbally and physically, they hate having to be around each other, they’re complete opposites, but then they have their own language, they ban together when the chips are down, they take exams for each other, and, as their mom said (because I believe her), they’re more alike than we know.
I like Katie and Emily when they’re together. They’re much more entertaining than when they’re apart. Which brings me to Emily, who’s actually turned a little bit annoying in her cloying dependency in her relationship with Naomi. She started the relationship as, let’s face it, a stalker who wouldn’t take no for an answer. And after essentially pushing Naomi into the closet she’s already trying to force her out, in a very public way, at the school dance. Yes, it is a little suspect that your girlfriend would rather keep her relationship with you a secret, and that’s always something to frown upon, but this is a different case entirely. Naomi admitting that she’s in a relationship with a girl would effectively out her as gay– at a point in her life when she has to go all the way to Cyprus to figure out just who she is. I can’t say I very much liked the Love Ball scene in which Naomi and Emily declared themselves. Like their relationship, it seemed a little forced.
Other notables from the ep:
-Rob Fitch. Is. Awesome. I love what Skins does with parents, and they hit the ball out of the park with Rob. You can’t get much better than, “They’r not still virgins tomorrow, I’ll hunt you down like dogs.”
-JJ may be brilliant but he really needs to figure out how to wear a tie. And so does Freddie. That or he has to figure out he’s not in the 80s. On that note, Thomas = Best dressed male of the night!
-The return of Pandora’s dancing! I’ve missed her dancing so since Effy’s episode in series 2. I hope they make it a continuing feature.
- I loved that Katie was so nervous about seeing Freddie but then totally laid it into him when he did approach. You go girl.
- A box of fannies! And not just one fanny– a whole box! Really makes you think about a character, don’t it? I mean, exactly how many variations of fannies does Emily need??
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It took nine episodes but I’ve finally come around to liking Katie. Stripped of her garish makeup and leopard print getups, her face spoke volumes about what she was going through. And finally she had something to go through. No more being the better half of a colossal douche, be it a football player or a Fun Sponge. For the first time since she was seven Katie was without a boyfriend. And that might seem like a really vain issue to be so damn sad about, but it’s part of a bigger issue that’s coming to a head with her. Katie’s big issue is a loss of control.
She’s at a total loss without her armor of vanity, holed up in her house, afraid to face the world. Not only did she lose Fun Sponge to Effy, with whom he cheated while Katie was rotting away in the woods somewhere, but she also lost her upper hand in relationships, no longer the one that The Guy wants to get with. And to top it off she’s lost her sister, whom she was apparently very possessive of, to Naomi.
The portrayal of the sisterly relationship was very true-to-life in this episode. Most sisters on TV are absolute BFFs who braid each other’s hair and tell each other everything (I’m looking at you, BSG finale.) But Katie and Emily are certainly not BFFs. They fight, verbally and physically, they hate having to be around each other, they’re complete opposites, but then they have their own language, they ban together when the chips are down, they take exams for each other, and, as their mom said (because I believe her), they’re more alike than we know.
I like Katie and Emily when they’re together. They’re much more entertaining than when they’re apart. Which brings me to Emily, who’s actually turned a little bit annoying in her cloying dependency in her relationship with Naomi. She started the relationship as, let’s face it, a stalker who wouldn’t take no for an answer. And after essentially pushing Naomi into the closet she’s already trying to force her out, in a very public way, at the school dance. Yes, it is a little suspect that your girlfriend would rather keep her relationship with you a secret, and that’s always something to frown upon, but this is a different case entirely. Naomi admitting that she’s in a relationship with a girl would effectively out her as gay– at a point in her life when she has to go all the way to Cyprus to figure out just who she is. I can’t say I very much liked the Love Ball scene in which Naomi and Emily declared themselves. Like their relationship, it seemed a little forced.
Other notables from the ep:
-Rob Fitch. Is. Awesome. I love what Skins does with parents, and they hit the ball out of the park with Rob. You can’t get much better than, “They’r not still virgins tomorrow, I’ll hunt you down like dogs.”
-JJ may be brilliant but he really needs to figure out how to wear a tie. And so does Freddie. That or he has to figure out he’s not in the 80s. On that note, Thomas = Best dressed male of the night!
-The return of Pandora’s dancing! I’ve missed her dancing so since Effy’s episode in series 2. I hope they make it a continuing feature.
- I loved that Katie was so nervous about seeing Freddie but then totally laid it into him when he did approach. You go girl.
- A box of fannies! And not just one fanny– a whole box! Really makes you think about a character, don’t it? I mean, exactly how many variations of fannies does Emily need??
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Friday, March 13, 2009
Skins: Effy: "Beware the moon. And the shrooms. And pointy rocks."
A (long) Skins review.
This week’s episode centered around Effy, one of the most polarizing characters on the show. You either hate her or you love her. Personally, I belong to the latter group. For me, none of Effy’s episodes ever disappoint, and 3x08 was no exception. Though the character has changed in profound ways since her humble, silent beginnings of series 1, Effy is still on of the most interesting characters in a show full of interesting people.
One of the things I missed about the Effy from Series 1 and 2 though, was the fantastical, storybook element that used to follow her character around. In her first unseen skins (pop) she told a fable, in 2x06 she helped Tony back to sleep by telling him a tale, in 1x08, her first episode, her only line was a riddle. So I was happy that at least there was a bit of that in this week’s ep. Because you just don’t tell someone to “beware the moon” without the story getting freaky.
The episode started with a shot of Effy bouncing up and down– on Cook, as it happens. The image harkened back to the Effy of yore; detached and disinterested, this could’ve been a scene pulled out of series one or two, when our heroine was still an unemotive mystery. But it was a good way to encapsulate the Cook/Effy relationship. She screws him because he’s there and he screws her because she’s willing (and together, they’re screwed. Ha!) But while Cook plays the part of the fuck-all sex addict very well, his next appearance in the episode sheds new light on him. He comes to Effy with dinner (and a gateau!) He’s trying to be more than just a carnal relation-- he just doesn’t know exactly how to make the connections that he so desperately wants. But more on him later.
After Cook leaves, Effy comes down to find her mom going over the morning paper, (pointing out such horrible men as Nelson Mandela and Bono), and the girl who’s never met a shirt she couldn’t turn into a dress actually wears pants in this episode! (But I’m sure it was for technical reason only, as she had to shatter glass at her feet and then go running through the woods later on. We’ll hopefully be seeing all-legs-Effy again soon.) This might seem like me going off on a tangent but I mention her shirt because Sid and Nancy are on it. Now, this may have just been any other shirt from the wardrobe department or maybe it was more significant than that. For those who don’t know who Sid Vicious and Nancy Spungen were, a brief history: Nancy was a teen groupie who had a relationship with punk rocker, Sid. They were addicted to drugs and each other, and no matter how tumultuous their relationship, they always came back together. Some say they were totally wrong for each other, some say that’s what made them so right together. Sadly, Sid and Nancy’s story ended with Sid “allegedly” killing her. Dunno about you but I see the Cook/Effy similarities.
When Effy goes to see Freddie in his shed, finally ready to tell him how she really feels, she catches him making out with Katie. And she has a rather strong reaction to it: she throws up in his driveway. Granted, who wouldn’t throw up after watching Fun Sponge and Tits and Lisp go at it, but it was just the beginning of what proved to be an episode full of strong and physical reactions. (Pandora hyperventilating in the car; the Effy/Katie fight.)
But the weirdness of the episode really starts when the gang’s on their way to “Gobbler’s End,” a place perfectly named for boogey men and serial killers to dump the bodies. If there was any kind of narrative formula to the episode it took the shape of Bad Horror Movie right from the start. When the gang gets lost (and Katie responds to the situation by doing the Smartest Thing Possible and throwing out the map), the gang meets the British Version of creepsters from such movie classics as Wrong Turn and Texas Chainsaw Massacre. The kids are rightfully scared. The trio of goons was a pretty random addition to the episode, and many people online are grumbling about how unnecessary they were, but I gotta disagree. I think they were there to set the tone for the episode and make it take the strange turn that it did. They were part of the “what the fuck is going on” dynamic lent the episode it’s spooky vibe.
But it wouldn’t be a Skins episode if drugs weren’t in the mix.
By the time Effy shares her shrooms things are well on their way to being trippy indeed. Effy’s threshold for drugs has never been something to write home about, and as soon as she closes her eyes (with Panda at her side and Freddie at her hand) she officially slips into a demented wonderland. When she wakes up it’s apparently in the middle of a one-way fight she’s having with Katie. I was as confused as Effy was and I wasn’t even high. I mean, what was she accusing her of? Did Effy like, totally sex up Freddie in the middle of the woods? Oh, wait, that comes later. Before any of that can happen, Cook crashes the party.
He scares the gang into putting out their fire and pissing their pants in fear. This is the scene in which you either sympathize with Cook for being a misunderstood troublemaker just out to have a laugh or hate him for being an annoying little prick who doesn’t give a shit about anyone. If you feel the latter, you’re in good company. The gang is super mad at Cookie. So mad that Freddie gets in his face for his shenanigans and JJ has a mini rage episode on the spot and tells him to Fuck off (a little unjustly, I think, given that he was the one who drugged Cook in the last episode, but whatevs.) The scene escalates into a huge fight orgy for nearly everyone involved. Katie leaves after her relationship with Freddie is put into question. Pandora and Thomas finally have it out when Cook reveals that he’s been popping her cherry over. And over. And over again. And that’s bad news for Effy too. Not so much because her “boyfriend’s” been banging another chick but because Pandora has lied to and betrayed her, again.
The emotional turmoil gets to Effy and she runs into the woods where she meets up with Katie, and one of the trippiest scenes in the series since Tony’s whole trip of an episode in season 2 ensues. In the scene, Katie switches emotions and tangents at the drop of a hat, made all the more surreal because the scene unfolds through Effy’s perspective. Is what she seeing real? Is she imagining some of it? Is she experiencing time jumps? Is Katie’s lisp really that annoying?
Too much to handle. She hits Katie in the head with a rock. And from here on out, all the way til we finally find out that Katie’s okay, Skins became one of the most intense, insane, suspenceful, mindfuck of a show on television. If you’re spoiler free (the best way to go) you begin to question whether the show would actually have the balls to kill off a character. To actually launch Effy’s character in this new direction where her biggest problem in life is not who will or will not take her to Prom (or whatever the Brits call it) but having to carry around the guilt of taking a life. And you sorta believe they could do it because a) they like killing characters b) this show is just that fucked up and c) they’ve got a spare! (Without the terrible fashion sense!). But alas, Katies does not die. And though Effy didn’t kill anyone, she’s still going to have to carry around the guilt of doing what she did and then just leaving the Katie in the forest like that.
Kudos to the writers for pulling this whole thing off as absolutely realistic and sympathetic. You get why Effy didn’t tell anyone (who hasn’t been in a situation where they did something really really wrong and it’s just a matter of time til someone finds out) and you sympathize with her even though she’s the villain in this particular tale.
After maybe killing someone, Effy has some sex. Make no mistakes about it, Effy is absolutely out of her mind when she and Freddie make love. If I were a shipper of these two, I’d feel a little jipped that the first sex scene we get between the two of them involves Effy still partially tripping shrooms with blood on her hands. BUT, the prelude to the sex was interesting in and of itself. Cribbing from a scene in Spring Awakening, Effy asks Freddie to hit her so that she can feel something. And Freddie actually does the right thing. Effy, so attached to pain and darkness, is met with a kiss. Because, kids, kissing can sometimes make you feel something too.
That she is the villain is a sad fact when Effy goes to the hospital and meets up with Freddie, Emily, and Pandora. Of the three characters there, Emily has the nicest, most rational reaction to her– and she’s the girl’s sister! Freddie’s look of mere disgust may have been justified (to the untrained eye Effy did just attempt murder, after all), but it was still so disgustingly judgmental of him. He’s ashamed of Effy, we get that, but there was another character this episode who was ashamed of his girlfriend too and yet his reaction was so much more justified and heart-rending than anything Freddie’s capable of mustering. When Thomas confronted Pandora about her cheating ways, he isn’t such a huge dick about it. It’s the difference between “I want him back because I hurt him and I love him” and “I want him back so that he doesn’t think I’m a useless asshole.”
At this point in their relationship, how can Effy really ever be with Freddie without her integrity taking a huge hit? If they’re ever going to be together then Freddie just can’t be the judgment bastard that he is or Effy will never stop measuring her self-worth based on how he sees it.
But the worst reaction of the three came from Pandora, who was unwilling to listen to anything Effy would say. This stung the most, and needed to happen, so that the audience and Effy herself can see that if she ever had any friends she certainly doesn’t have any now.
Enter Cook. Just recently ousted from the gang himself, he’s there for Effy because now they can be alone, together. And she’s coming along for the ride because he’s all she’s got. The dialogue for the scene was clear: “Where are we going?” “Where are we?” “It’s always going to be you and me.” It’s a new frontier for Effy– she’s officially, as she said in a previous episode, off the rails. Although I’m not sold on Cook/Effy, the potential for something explosive to happen between them for no other reason than because they’re stuck together, is there. It’s like Sid and Nancy. They’re all wrong together, but, at least for now, they’re the only two people right for each other.
Notables from the episode:
-Naomi and Emily getting busy while the daft JJ has no clue that there’s more than just “wriggling” going on. Hehe.
- Kaya Scodelario’s acting in this week’s episode was spot on. Spot on. And I’m not just talking about the big emotional scenes (of which there were many). I’m talking about the little cast-off looks in between the big scenes. She’s really come into her own as an actress. Megan Prescott, please take note.
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This week’s episode centered around Effy, one of the most polarizing characters on the show. You either hate her or you love her. Personally, I belong to the latter group. For me, none of Effy’s episodes ever disappoint, and 3x08 was no exception. Though the character has changed in profound ways since her humble, silent beginnings of series 1, Effy is still on of the most interesting characters in a show full of interesting people.
One of the things I missed about the Effy from Series 1 and 2 though, was the fantastical, storybook element that used to follow her character around. In her first unseen skins (pop) she told a fable, in 2x06 she helped Tony back to sleep by telling him a tale, in 1x08, her first episode, her only line was a riddle. So I was happy that at least there was a bit of that in this week’s ep. Because you just don’t tell someone to “beware the moon” without the story getting freaky.
The episode started with a shot of Effy bouncing up and down– on Cook, as it happens. The image harkened back to the Effy of yore; detached and disinterested, this could’ve been a scene pulled out of series one or two, when our heroine was still an unemotive mystery. But it was a good way to encapsulate the Cook/Effy relationship. She screws him because he’s there and he screws her because she’s willing (and together, they’re screwed. Ha!) But while Cook plays the part of the fuck-all sex addict very well, his next appearance in the episode sheds new light on him. He comes to Effy with dinner (and a gateau!) He’s trying to be more than just a carnal relation-- he just doesn’t know exactly how to make the connections that he so desperately wants. But more on him later.
After Cook leaves, Effy comes down to find her mom going over the morning paper, (pointing out such horrible men as Nelson Mandela and Bono), and the girl who’s never met a shirt she couldn’t turn into a dress actually wears pants in this episode! (But I’m sure it was for technical reason only, as she had to shatter glass at her feet and then go running through the woods later on. We’ll hopefully be seeing all-legs-Effy again soon.) This might seem like me going off on a tangent but I mention her shirt because Sid and Nancy are on it. Now, this may have just been any other shirt from the wardrobe department or maybe it was more significant than that. For those who don’t know who Sid Vicious and Nancy Spungen were, a brief history: Nancy was a teen groupie who had a relationship with punk rocker, Sid. They were addicted to drugs and each other, and no matter how tumultuous their relationship, they always came back together. Some say they were totally wrong for each other, some say that’s what made them so right together. Sadly, Sid and Nancy’s story ended with Sid “allegedly” killing her. Dunno about you but I see the Cook/Effy similarities.
When Effy goes to see Freddie in his shed, finally ready to tell him how she really feels, she catches him making out with Katie. And she has a rather strong reaction to it: she throws up in his driveway. Granted, who wouldn’t throw up after watching Fun Sponge and Tits and Lisp go at it, but it was just the beginning of what proved to be an episode full of strong and physical reactions. (Pandora hyperventilating in the car; the Effy/Katie fight.)
But the weirdness of the episode really starts when the gang’s on their way to “Gobbler’s End,” a place perfectly named for boogey men and serial killers to dump the bodies. If there was any kind of narrative formula to the episode it took the shape of Bad Horror Movie right from the start. When the gang gets lost (and Katie responds to the situation by doing the Smartest Thing Possible and throwing out the map), the gang meets the British Version of creepsters from such movie classics as Wrong Turn and Texas Chainsaw Massacre. The kids are rightfully scared. The trio of goons was a pretty random addition to the episode, and many people online are grumbling about how unnecessary they were, but I gotta disagree. I think they were there to set the tone for the episode and make it take the strange turn that it did. They were part of the “what the fuck is going on” dynamic lent the episode it’s spooky vibe.
But it wouldn’t be a Skins episode if drugs weren’t in the mix.
By the time Effy shares her shrooms things are well on their way to being trippy indeed. Effy’s threshold for drugs has never been something to write home about, and as soon as she closes her eyes (with Panda at her side and Freddie at her hand) she officially slips into a demented wonderland. When she wakes up it’s apparently in the middle of a one-way fight she’s having with Katie. I was as confused as Effy was and I wasn’t even high. I mean, what was she accusing her of? Did Effy like, totally sex up Freddie in the middle of the woods? Oh, wait, that comes later. Before any of that can happen, Cook crashes the party.
He scares the gang into putting out their fire and pissing their pants in fear. This is the scene in which you either sympathize with Cook for being a misunderstood troublemaker just out to have a laugh or hate him for being an annoying little prick who doesn’t give a shit about anyone. If you feel the latter, you’re in good company. The gang is super mad at Cookie. So mad that Freddie gets in his face for his shenanigans and JJ has a mini rage episode on the spot and tells him to Fuck off (a little unjustly, I think, given that he was the one who drugged Cook in the last episode, but whatevs.) The scene escalates into a huge fight orgy for nearly everyone involved. Katie leaves after her relationship with Freddie is put into question. Pandora and Thomas finally have it out when Cook reveals that he’s been popping her cherry over. And over. And over again. And that’s bad news for Effy too. Not so much because her “boyfriend’s” been banging another chick but because Pandora has lied to and betrayed her, again.
The emotional turmoil gets to Effy and she runs into the woods where she meets up with Katie, and one of the trippiest scenes in the series since Tony’s whole trip of an episode in season 2 ensues. In the scene, Katie switches emotions and tangents at the drop of a hat, made all the more surreal because the scene unfolds through Effy’s perspective. Is what she seeing real? Is she imagining some of it? Is she experiencing time jumps? Is Katie’s lisp really that annoying?
Too much to handle. She hits Katie in the head with a rock. And from here on out, all the way til we finally find out that Katie’s okay, Skins became one of the most intense, insane, suspenceful, mindfuck of a show on television. If you’re spoiler free (the best way to go) you begin to question whether the show would actually have the balls to kill off a character. To actually launch Effy’s character in this new direction where her biggest problem in life is not who will or will not take her to Prom (or whatever the Brits call it) but having to carry around the guilt of taking a life. And you sorta believe they could do it because a) they like killing characters b) this show is just that fucked up and c) they’ve got a spare! (Without the terrible fashion sense!). But alas, Katies does not die. And though Effy didn’t kill anyone, she’s still going to have to carry around the guilt of doing what she did and then just leaving the Katie in the forest like that.
Kudos to the writers for pulling this whole thing off as absolutely realistic and sympathetic. You get why Effy didn’t tell anyone (who hasn’t been in a situation where they did something really really wrong and it’s just a matter of time til someone finds out) and you sympathize with her even though she’s the villain in this particular tale.
After maybe killing someone, Effy has some sex. Make no mistakes about it, Effy is absolutely out of her mind when she and Freddie make love. If I were a shipper of these two, I’d feel a little jipped that the first sex scene we get between the two of them involves Effy still partially tripping shrooms with blood on her hands. BUT, the prelude to the sex was interesting in and of itself. Cribbing from a scene in Spring Awakening, Effy asks Freddie to hit her so that she can feel something. And Freddie actually does the right thing. Effy, so attached to pain and darkness, is met with a kiss. Because, kids, kissing can sometimes make you feel something too.
That she is the villain is a sad fact when Effy goes to the hospital and meets up with Freddie, Emily, and Pandora. Of the three characters there, Emily has the nicest, most rational reaction to her– and she’s the girl’s sister! Freddie’s look of mere disgust may have been justified (to the untrained eye Effy did just attempt murder, after all), but it was still so disgustingly judgmental of him. He’s ashamed of Effy, we get that, but there was another character this episode who was ashamed of his girlfriend too and yet his reaction was so much more justified and heart-rending than anything Freddie’s capable of mustering. When Thomas confronted Pandora about her cheating ways, he isn’t such a huge dick about it. It’s the difference between “I want him back because I hurt him and I love him” and “I want him back so that he doesn’t think I’m a useless asshole.”
At this point in their relationship, how can Effy really ever be with Freddie without her integrity taking a huge hit? If they’re ever going to be together then Freddie just can’t be the judgment bastard that he is or Effy will never stop measuring her self-worth based on how he sees it.
But the worst reaction of the three came from Pandora, who was unwilling to listen to anything Effy would say. This stung the most, and needed to happen, so that the audience and Effy herself can see that if she ever had any friends she certainly doesn’t have any now.
Enter Cook. Just recently ousted from the gang himself, he’s there for Effy because now they can be alone, together. And she’s coming along for the ride because he’s all she’s got. The dialogue for the scene was clear: “Where are we going?” “Where are we?” “It’s always going to be you and me.” It’s a new frontier for Effy– she’s officially, as she said in a previous episode, off the rails. Although I’m not sold on Cook/Effy, the potential for something explosive to happen between them for no other reason than because they’re stuck together, is there. It’s like Sid and Nancy. They’re all wrong together, but, at least for now, they’re the only two people right for each other.
Notables from the episode:
-Naomi and Emily getting busy while the daft JJ has no clue that there’s more than just “wriggling” going on. Hehe.
- Kaya Scodelario’s acting in this week’s episode was spot on. Spot on. And I’m not just talking about the big emotional scenes (of which there were many). I’m talking about the little cast-off looks in between the big scenes. She’s really come into her own as an actress. Megan Prescott, please take note.
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Tuesday, March 10, 2009
Chuck vs. The Lethal Weapon: "Repulsion is our business"
A Chuck review.
The episode starts with Super Sexy Spy Guy getting tortured, and there’s a bunch spy talk with references to James Bond, the intersect, and some important Fulcrum dude named Perseus, but more importantly: the scene transitions to Chuck and Sarah in bed together! Ok, not sleeping together, just lying side by side awkwardly (I’m pretty sure Sarah too was awake in that scene before the alarm went off). By the expression on Chuck’s face, spending the night with Sarah could rival Cole’s torture. And getting a dose of Sarah walking around his room in a t-shirt and panties didn’t help any but it was cute. As I am a big shipper, I also very much enjoyed their little scene together in the bathroom as they brushed their teeth. (On a side note, Yvonne looked awesome in that sene. They cake so much makeup on her for this show but refreshed-from-the-shower Sarah is just as stunning, if not more so, than evening-gown-wearing Sarah.)
After their bathroom scene Chuck and Sarah join Ellie and Awesome for breakfast and it’s immediately clear that Ellie’s role as caring sister has officially shifted to over-bearing relationship liaison. She seems to be constantly on a need-to-know basis concerning whether Chuck’s happy in his relationship, whether he’s breaking up with Sarah, and whether they’re moving in together. Considering how hastily Chuck went from dumping Sarah to moving in with her I’m surprised Ellie hasn’t caught on to just how very odd this relationship actually is. If there is one person who finds out Chuck’s secret by the end of this season, at this point, how could it not be Ellie? I really hope it isn’t because that would shake up the heart of the show too dramatically (plus, I do like the awkwardness/tension that stems form Chuck and Sarah having to maintain their lie in front of her) but Ellie should be seeing the signs already.
Back at the Buy More Jeff and Lester are being hilarious yet again (I love those bastards!) with their reimagined “yo’ mama!” jokes featuring Morgan’s mom and Big Mike. Chuck show’s up, he’s about to tell Morgan that they can’t move in together but Casey takes away, saying he needs to see him in his office. To which Morgan replies, “When’d you get an office, John?” Which I just found funny. Plus, maybe Morgan’s the one who figures out Chuck’s secret!
Cole crashes the castle, all bloody and hot, but while Sarah likes the hot part she certainly doesn’t like the bloody: maybe I’m the only one who noticed it but when she goes to help him stand and puts her hand on his shoulder her hand immediately recoils (because, ew, blood is sticky.)
Sarah and Casey go to a consulate party and Chuck and Cole partnering up to watch through the monitors was amusing thanks to Chuck’s insecurity. I especially loved Chuck taking credit for all of Cole’s good ideas. Anyway, things go wrong, as per usual, and Chuck does not “stay in the car.” But this time he’s got Cole with him, who teaches Chuck how to fire a gun by saying it’s just “point and click,” which Chuck should understand cuz isn’t that exactly how you work a computer mouse? Chuck doesn’t exactly get it, though, and shoots the wrong guy accidently, causing a commotion. Cole gets shot saving Sarah’s life but was it me or did he really not need to save her at that point? Sarah had a clear shot. But whatevs, he gets shot in the shoulder and Sarah only notices when he starts dripping on her hand (to which she responds with the same “ew, blood is sticky” expression she had earlier. (It amused me, heh.)
While playing doctor Cole manages to woo Sarah even more, and you can’t blame the girl for falling for the guy. Meanwhile Chuck’s sister, who is an actual doctor, is so alarmed by the condition of his foot (another red flag, Ellie!) that she orders he get a cast just to be on the safe side. At the hospital Chuck finds the Intersect scientist that they’re all looking for there too getting his leg mended from the gunshut wound. A hilarious Slowest Chase Ever ensues. Chuck follows him all the way to a computer lab where and the scientist guy discovers that Chuck is indeed a human intersect. Chuck flashes on the word “Orion,” who will learn is the once who started the pesky little intersect thing. The team breaks in to save the day and Chuck never finds out who this Orion dude is.
By the time Cole needs to leave he propositions Sarah again, asking her to come with, but she refuses. “When you meet someone you care about it’s hard to walk away.” We all know Sarah cares about Chuck just as much he cares about her but it’s time for her to fess up– to him this time. If the Chuck/Sarah relationship is going to move forward then she has to be the one to initiate it. Especially after the scene they had at the end of the episode in the courtyard (the defacto spot for all heartfelt Charah scenes). He tells her he’s crazy about her and that’s why they can’t move in together. The scene feels a little redundant after “Chuck vs. The Breakup” when Chuck breaks ups with on the fountain but at least he actually mentions the L word here. Sarah now knows for sure, in no uncertain terms, that Chuck loves her. The ball’s in your court, Sarah!
The ep ends with Chuck going into his room and revealing to us that his Tron poster is more than just a geek staple- it’s actually the place where he’s dosumenting every clue he has about the intersect. It’s the equivelent of every wall covered in pictures and newspaper articles at the heart of every procedural ever.
The thing most worth mentioning that’s written on Chuck’s Wall o’ Clues was “Lisa is her middles name?” Because whaaaaaaaaaaaaaaat? When did Chuck find this out? Does this mean he heard her that time at the end of “Chuck vs. The Wookie” when she whispered it to herself? Obviously, that was the most revealing thing for me. And possibly for the Charah shippers. Though, it also said “architect?” next to her name, so who knows what’s going on with that Clue chart. (Did Sarah reveal that she wanted to be an architect once in some off-camera scene? I’m curious, dammit!)
Notables from the ep:
-Obscure and disturbing hobbies with Lester, Morgan, and Jeff with his shirt off (that’s 95% alcohol!)
- This didn’t actually happen in this episode but did we get out first unofficial Chuck/Heroes crossover last night? The dweebs who work at the Buy More were definitely at the Heroes comic book shop while Claire was interviewing for a sales clerk position. Or maybe there was just a “dweeby extras” shortage on the Warner Bros. lot.)
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The episode starts with Super Sexy Spy Guy getting tortured, and there’s a bunch spy talk with references to James Bond, the intersect, and some important Fulcrum dude named Perseus, but more importantly: the scene transitions to Chuck and Sarah in bed together! Ok, not sleeping together, just lying side by side awkwardly (I’m pretty sure Sarah too was awake in that scene before the alarm went off). By the expression on Chuck’s face, spending the night with Sarah could rival Cole’s torture. And getting a dose of Sarah walking around his room in a t-shirt and panties didn’t help any but it was cute. As I am a big shipper, I also very much enjoyed their little scene together in the bathroom as they brushed their teeth. (On a side note, Yvonne looked awesome in that sene. They cake so much makeup on her for this show but refreshed-from-the-shower Sarah is just as stunning, if not more so, than evening-gown-wearing Sarah.)
After their bathroom scene Chuck and Sarah join Ellie and Awesome for breakfast and it’s immediately clear that Ellie’s role as caring sister has officially shifted to over-bearing relationship liaison. She seems to be constantly on a need-to-know basis concerning whether Chuck’s happy in his relationship, whether he’s breaking up with Sarah, and whether they’re moving in together. Considering how hastily Chuck went from dumping Sarah to moving in with her I’m surprised Ellie hasn’t caught on to just how very odd this relationship actually is. If there is one person who finds out Chuck’s secret by the end of this season, at this point, how could it not be Ellie? I really hope it isn’t because that would shake up the heart of the show too dramatically (plus, I do like the awkwardness/tension that stems form Chuck and Sarah having to maintain their lie in front of her) but Ellie should be seeing the signs already.
Back at the Buy More Jeff and Lester are being hilarious yet again (I love those bastards!) with their reimagined “yo’ mama!” jokes featuring Morgan’s mom and Big Mike. Chuck show’s up, he’s about to tell Morgan that they can’t move in together but Casey takes away, saying he needs to see him in his office. To which Morgan replies, “When’d you get an office, John?” Which I just found funny. Plus, maybe Morgan’s the one who figures out Chuck’s secret!
Cole crashes the castle, all bloody and hot, but while Sarah likes the hot part she certainly doesn’t like the bloody: maybe I’m the only one who noticed it but when she goes to help him stand and puts her hand on his shoulder her hand immediately recoils (because, ew, blood is sticky.)
Sarah and Casey go to a consulate party and Chuck and Cole partnering up to watch through the monitors was amusing thanks to Chuck’s insecurity. I especially loved Chuck taking credit for all of Cole’s good ideas. Anyway, things go wrong, as per usual, and Chuck does not “stay in the car.” But this time he’s got Cole with him, who teaches Chuck how to fire a gun by saying it’s just “point and click,” which Chuck should understand cuz isn’t that exactly how you work a computer mouse? Chuck doesn’t exactly get it, though, and shoots the wrong guy accidently, causing a commotion. Cole gets shot saving Sarah’s life but was it me or did he really not need to save her at that point? Sarah had a clear shot. But whatevs, he gets shot in the shoulder and Sarah only notices when he starts dripping on her hand (to which she responds with the same “ew, blood is sticky” expression she had earlier. (It amused me, heh.)
While playing doctor Cole manages to woo Sarah even more, and you can’t blame the girl for falling for the guy. Meanwhile Chuck’s sister, who is an actual doctor, is so alarmed by the condition of his foot (another red flag, Ellie!) that she orders he get a cast just to be on the safe side. At the hospital Chuck finds the Intersect scientist that they’re all looking for there too getting his leg mended from the gunshut wound. A hilarious Slowest Chase Ever ensues. Chuck follows him all the way to a computer lab where and the scientist guy discovers that Chuck is indeed a human intersect. Chuck flashes on the word “Orion,” who will learn is the once who started the pesky little intersect thing. The team breaks in to save the day and Chuck never finds out who this Orion dude is.
By the time Cole needs to leave he propositions Sarah again, asking her to come with, but she refuses. “When you meet someone you care about it’s hard to walk away.” We all know Sarah cares about Chuck just as much he cares about her but it’s time for her to fess up– to him this time. If the Chuck/Sarah relationship is going to move forward then she has to be the one to initiate it. Especially after the scene they had at the end of the episode in the courtyard (the defacto spot for all heartfelt Charah scenes). He tells her he’s crazy about her and that’s why they can’t move in together. The scene feels a little redundant after “Chuck vs. The Breakup” when Chuck breaks ups with on the fountain but at least he actually mentions the L word here. Sarah now knows for sure, in no uncertain terms, that Chuck loves her. The ball’s in your court, Sarah!
The ep ends with Chuck going into his room and revealing to us that his Tron poster is more than just a geek staple- it’s actually the place where he’s dosumenting every clue he has about the intersect. It’s the equivelent of every wall covered in pictures and newspaper articles at the heart of every procedural ever.
The thing most worth mentioning that’s written on Chuck’s Wall o’ Clues was “Lisa is her middles name?” Because whaaaaaaaaaaaaaaat? When did Chuck find this out? Does this mean he heard her that time at the end of “Chuck vs. The Wookie” when she whispered it to herself? Obviously, that was the most revealing thing for me. And possibly for the Charah shippers. Though, it also said “architect?” next to her name, so who knows what’s going on with that Clue chart. (Did Sarah reveal that she wanted to be an architect once in some off-camera scene? I’m curious, dammit!)
Notables from the ep:
-Obscure and disturbing hobbies with Lester, Morgan, and Jeff with his shirt off (that’s 95% alcohol!)
- This didn’t actually happen in this episode but did we get out first unofficial Chuck/Heroes crossover last night? The dweebs who work at the Buy More were definitely at the Heroes comic book shop while Claire was interviewing for a sales clerk position. Or maybe there was just a “dweeby extras” shortage on the Warner Bros. lot.)
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Sunday, March 8, 2009
Trailer for FOX's Glee
Posting this because Lea Michele is in it. For the uninitiated: Lea Michele is amazing. Not enough info? Alright, Lea Michele was in the original cast of Spring Awakening on Broadway (She was the girl Adrianna was trying to imitate on 90210) and she has one of the most amazing voices I've ever heard. Also, from what I can tell from this trailer, this show looks pretty good. And Jane Lynch is in it too! Will definitely be checking it out.
Trailer for Glee:
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Trailer for Glee:
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